Numismatic Narratives: Sovereignty, Identity, and Devotion in the Parvinder S. Khanuja Collection of Sikh Coins
PDF

Keywords

Sikh art
Numismatics
Collecting
Sikh studies
Sovereignty
art collectors

How to Cite

Taylor, P. M., & Husain, S. (2023). Numismatic Narratives: Sovereignty, Identity, and Devotion in the Parvinder S. Khanuja Collection of Sikh Coins. Sikh Research Journal, 8(1), 23–34. https://doi.org/10.62307/srj.v8i1.21

Abstract

This paper is a case study of the role of coin collecting in the Sikh diaspora in the United States, with comparative references to broader sources on Sikh and non-Sikh coin and medal (i.e., numismatic) collecting beyond this one collector and collection. Here we briefly survey the collection of Sikh coins assembled (within a much larger collection of Sikh and Punjabi art and heritage) by Dr. Parvinder S. Khanuja, examining the collector’s criteria used to select coins as a preferred or important collectible, and also the criteria used to ascribe value to particular coins based on their characteristics (original mint or place of manufacture, age or date of manufacture, materials of manufacture, and physical condition), as well as their prior line of ownership (i.e. their “biographies” as objects). We also survey current literature on Sikh coin collecting in comparison with the broader collecting and study of numismatics, looking for generalizations about Sikh vs. non-Sikh coin collecting and how value is ascribed to coins. We find that the importance of coin collecting for Dr. Khanuja, and in the literature on Sikh numismatics, is closely tied to the concept of former Sikh sovereignty or political control that (in the past) made an autonomous coinage possible. This paper illustrates some exemplary coins that Dr. Khanuja and his family highly prize, documenting the importance ascribed to sovereignty, identity, and devotion. The significance ascribed to coinage as a symbol of sovereignty, the relevance of his collecting to the collector’s strong Sikh identity, and the fact that collecting may be an expression of Sikh religious devotion, all seem to constitute motivations for the formation of this collection. Based on references to such concepts in Sikh numismatic literature, these motivations seem very likely to be characteristic of a broader Sikh collecting tradition rather than an idiosyncratic one used only by this collector.
https://doi.org/10.62307/srj.v8i1.21
PDF

References

Amardeep Singh. 2016. Lost Heritage: The Sikh Legacy in Pakistan. New Delhi: Nagaara Trust, in association with Himalayan Books.

Clain-Stefanelli, Elvira E. 1970. Numismatics, an ancient science: a survey of its history. Paper 33, United States National Museum Bulletin 229.

Goswamy, B.N., and Caron Smith. 2006. I See No Stranger: Early Sikh Art and Devotion. Ocean Township, NJ: Rubin Museum of Art.

Herrli, Hans. 1993. The Coins of the Sikhs. New Delhi: Munshiram Manoharlal (1st edition).

Herrli, Hans. 2004. The Coins of the Sikhs. New Delhi: Munshiram Manoharlal (2nd edition, revised and augmented).

Husain, Saeed. “Collecting as Seva and Decolonizing Display: Art Collecting in the Sikh American Diaspora.” B.A. Thesis, The College of Zooster (Wooster, Ohio) 2021.

Lotis, Christopher, and Michel D. Lee. 2011. Symbols of identity: Korean ceramics from the collection of Chester and Wanda Chang. Washington, D.C.: Asian Cultural History Program, Smithsonian Institution.

Khanuja, Parvinderjit S. 2022. “Symbols of Sovereignty: Sikh Coinage.” Pp. 354-358 in: Paul M. Taylor (ed.), Splendors of Punjab Heritage: Art from the Khanuja Family Collection. (With Essays by Parvinderjit Singh Khanuja.) New Delhi: Roli Books, in association with the Asian Cultural History Program, Smithsonian Instutition.

Khera, Paramdeep Kaur. 2011. Catalogue of Sikh Coins in the British Museum. London: The British Museum.

Rai, Jyoti M. 2017. The Nanakshahi – The Divine Sikh Coinage. Chapter 11 (pp. 219-235) in: Sikh Art from the Kapany Collection (ed. by Paul Michael Taylor and Sonia Dhami), Palo Alto: The Sikh Foundation, in association with the Asian Cultural History Program, Smithsonian Institution.

Runjeet Singh [Firm]. 2018. The Goddess: Arms & Armour of the Rajputs. Conventry, England: Runjeet Singh.

Singh, Gurharpal, and Giorgio Shani. 2022. Sikh nationalism: From a Dominant Minority to an Ethno-religious Diaspora. Cambridge, U.K.: Cambridge University Press.

Singh, Surinder. 2000. “Studies in Sikh Coinage 1710 to 1849 AD.” Ph.D. Thesis, Rabindra Bharati University, Calcutta.

Singh, Surinder. 2004. Sikh Coinage — Symbol of Sikh Sovereignty. New Delhi: Manohar.

Stronge, Susan. 1999. The Arts of the Sikh Kingdoms. New York: Weatherhill.

Taylor, Paul Michael. 2019. Sikh Art and Devotion in the Collection of Parvinder S. Khanuja. Arts of Asia 49(1):107-116 (January-February 2019).

Taylor, Paul Michael (editor). 2022. Splendors of Punjab Heritage: Art from the Khanuja Family Collection. (With Essays by Parvinderjit Singh Khanuja.) New Delhi: Roli Books, in association with the Asian Cultural History Program, Smithsonian Institution.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2024 Paul Michael Taylor, Saeed Husain