Keywords
When we meet again
handmade pigments on wasli
Sikh Art
Art
reflection
displacement
history
handmade pigments on wasli
Sikh Art
Art
reflection
displacement
history
References
None
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2024 Rupy C Tut
Similar Articles
- Bikrum Gill, The 2020 Indian Farm Laws in an emergent Global Financial- AgriTech Accumulation Regime , Sikh Research Journal: Vol. 6 No. 2 (2021)
- Navdeep Singh Suri, Nanak Singh’s Khooni Vaisakhi: The Poet and the Poem , Sikh Research Journal: Vol. 6 No. 1 (2021)
- Editorial Team, On the Farmers’ Movement , Sikh Research Journal: Vol. 6 No. 1 (2021)
- Sarabjeet Bamrah, Women Education in Colonial Punjab: Significance of Women Teachers and Training Institutions , Sikh Research Journal: Vol. 9 No. 1 (2024)
- Sukhpal Singh, India’s Agricultural Market Acts of 2020: Implications for (small) farmers with special reference to Punjab , Sikh Research Journal: Vol. 6 No. 1 (2021)
- Arvinder Goomer, a Kaur’s story - the Beginning , Sikh Research Journal: Vol. 9 No. 1 (2024)
- Nazia Akhtar, The Last Queen (Chitra Banerjee Divakaruni) , Sikh Research Journal: Vol. 7 No. 1 (2022)
- Compilation, Songs and Poems of the Farmers’ Protests , Sikh Research Journal: Vol. 6 No. 1 (2021)
- Sejuti Das Gupta, Ishita Mehrotra,, Aparajita Bakshi,, Who are farmers in India after all? A conceptual exercise and a policy question , Sikh Research Journal: Vol. 7 No. 1 (2022)
- Nirmal Singh, Dalits and Farmers’ Movement in India , Sikh Research Journal: Vol. 7 No. 1 (2022)
You may also start an advanced similarity search for this article.